It’s worth seeing this show just to watch Justine Clarke transform into Gillard and,in a thrilling display,deliver the misogyny speech in full.
This production marks Sarah Brightman’s long-awaited return to musical theatre – but despite its many highlights,the show falls short.
Soundtracked by the Warumpi Band,when Big Name,No Blankets premiered it ‘had standing ovations every night,even sometimes during the show’.
Kaveh Akbar’s book Martyr! is a delight because it manages to embrace seriousness and irreverence,darkness and light.
Share-housing in your thirties is so in right now,Jude Perl has created a musical about it.
American writer Celeste Ng’s first two novels were realist domestic fiction,but her third was a more political creation.
Melburnians brought out their boas for Harry Styles then sequins for Taylor Swift. For a Jane Austen musical tribute,the dress code is:favourite character.
The megastar exorcises her past relationships with Joe Alwyn and Matty Healy on an album likely to divide fans.
No one had a voice like Amy Winehouse. The film about this once-in-a-lifetime singer disappoints.
Underground star Logic1000 proves she doesn’t have to go hard to make an impact.
This wrap of shows around Melbourne includes Gaslight,Mahler 3,The Streets,Charlotte Adigéry and Bolis Pupul,and The Human League.