In 2016 alone,three North American films were set in the forest,which lies at the base of Mount Fuji,a sacred site in Japan.
Local folk tales have also fueled talk about the paranormal within the forest,a subject that Paul eagerly latches onto as he and his companions begin their trek with a guide.
In the next scene,they come across the body. The face is blurred;the rest is left visible. Paul and the others react in shock and Paul urges the guide to call the police.
"Yo,are you alive?"he shouts toward the body.
As a camera pans over the body,which Paul later says is only about 100 metres away from the parking lot,he describes its condition,and speculates that the death was recent. He apologises to his viewers and says that suicide,depression and mental illness are not a joke.
As the group leaves the area where the body was found,Paul,who has television experience and has trained with comedy troupes,begins to engage in the kinds of behavior most familiar to his viewers:exaggerated reaction shots and nervous laughter. The tone soon becomes more antic as Paul and the others appear to try to lighten the mood.
Toward the end of the video,Paul says that his smiling and laughing"is not a portrayal of how I feel about the circumstances,"describing it as his coping mechanism.
The video,which was posted on Sunday,quickly received pushback online,as people reacted to Paul's decision to show the body and his capering afterward. Some shared numbers for suicide hotlines and told stories about their own struggles with mental illness.
Paul's YouTube channel has more than 15 million subscribers,making him even more popular than his younger brother,Jake,who may be more well-known to those who do not regularly watch video blogs thanks to his own brushes with controversy.
Their audiences are largely made up of younger people. Toward the end of the Japan video,Paul runs into a young fan in the parking lot who is with an older chaperone.
"I have one piece of advice,"he tells them,smiling and pointing to where the body is."Don't go over there."
New York Times
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