That was John le Carre,who has died at the age of 89,talking toThe Age in 2001 about his experiences with the British secret service before he embarked on his long and more successful career as a spy novelist and fierce critic of the hypocrisy and moral and political decline of his country – and,indeed,the West. He died of pneumonia on Sunday morning (Australian time) just as the British government was stumbling towards the final deadline for Brexit,a development he loathed.
In that interview,he also spoke of his strong commitment to a sense of right and wrong. Indeed,it's arguable that how he thought about running agents in East Germany for MI6 determined the nature of his novels,and particularly the three great Cold War novels featuring his best-known protagonist,George Smiley:there was a lot of talk,a lot of thought and a lot of smart people trying to get a handle on what the Soviet Union was up to. And,of course,there was frequently the added hindrance of a traitor – a mole,a term le Carre coined in Tinker Tailor Soldier Spy – in their midst.
The contemporary British spy novelist Mick Herron,often seen as a successor to le Carre – something he dismisses – regards the Smiley trilogy,which began with Tinker Tailor,as the benchmark for spy fiction.
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Like an earlier master of spy fiction,Graham Greene,le Carre was a great storyteller. And it’s significant that so many of his novels have been adapted for large and small screens. Alec Guinness’ portrayal of Smiley for the BBC television series is legendary,as was Richard Burton’s portrayal of Alec Leamas in the stark black-and-white film ofThe Spy Who Came in from the Cold. More recent adaptations include The Night Manager,The Little Drummer Girl andThe Constant Gardener.
He published the first of his 25 novels,Call for the Dead,in 1961,but it was the huge success ofThe Spy Who Came in from the Cold in 1963 that prompted a change of name from David Cornwell to John le Carre,and a departure from the intelligence service.
His publisher told him he should choose a name with two Anglo-Saxon monosyllables such as John Smith. That was not for him.