Musician and writer Holly Throsby says she certainly thinks about rhythm when she’s writing.

Musician and writer Holly Throsby says she certainly thinks about rhythm when she’s writing.Credit:Yanni Kronenberg

This is the premise ofClarke,the third novel from musician-turned-author Holly Throsby. It’s the story of those on the periphery of a violent crime:the neighbours,the innocents,the collateral damage,the connections and concentric circles that radiate from it. Barney,who has no furniture in his rented house,has become detached from his family,and Leonie,his neighbour,has a little boy with her whose mother is nowhere to be seen. There is seeping loss all along the street.

Throsby had been listening toThe Teacher’s Pet podcast about the disappearance of Lynette Dawson,when she was driving around promoting her last book,Cedar Valley. “The interest to me really started with the idea that when the police searched the house in Bayview the occupants were unaware of the house’s history. That was the starting point for this book.”

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Clarke has a slower tempo and mood than the brilliantly funnyGoodwood,her first bestselling novel,and the dry wit and world in microcosm that isCedar Valley. Though all three novels are linked by their geography – a fictitious rural setting of mountain and river south of Sydney – the characters in the earlier novels travel to the larger Clarke and its shopping plaza. In all three books,set in the early ’90s,people disappear or die in mysterious circumstances and the membrane that holds a small town together,the ecosystem of a community,is torn apart.

Throsby has said that they are “anti-crime” books,that she enjoys “subverting expectations”;with her knowing,laconic humour she likes a lot of light with her dark. Her characters and their foibles are acutely observed.

“I like watching people all the time,like a total creep,just sitting on a park bench or something,” she says. But it is not until the third or fourth draft of a book that the characters become “more and more dimensional” until “they become wholly their own person and I consider how they would act themselves”.

Before the novels,Throsby was known as an ARIA award-winning musician,who released six deeply personal,delicate solo albums and two albums withSarah Blasko and Sally Seltmann and their indie-rock group,Seeker Lover Keeper. It is a big leap from a four-minute song,to a 400-page novel.

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“I think the part of music that I connect to most emotionally has always been the songwriting. The recording is something that I really enjoy doing in the moment,but the performance is something I have moved away from more and more. It still scares me. Touring doesn’t entirely mesh with my personality or lifestyle these days. I like to be in bed by 8.30,I’m a very diurnal kind of person in general.”

But you have to wonder if she is hearing the music in her prose as she is writing. “I certainly think about rhythm when I’m writing,and I like to read out loud to make sure that it has a rhythm that feels satisfying to me. But I don’t think there’s any melody involved.”

Sarah Blasko,Sally Seltmann and Holly Throsby - aka Seeker Lover Keeper - pictured in 2011.

Sarah Blasko,Sally Seltmann and Holly Throsby - aka Seeker Lover Keeper - pictured in 2011.Credit:

You can complete a whole song in “10 minutes,if you get lucky”,she says. But writing the novels,“I love carrying around ideas in my head and having this private universe where you’re making this story,and it becomes more and more expansive. It’s long compared to songwriting.”

Writing fiction was something she always wanted to do. “But I thought,‘I can’t do that. I don’t have the stamina for that or I don’t have the imagination’. It felt like a very unachievable ambition.”

But when she was approached by publisher Richard Walsh,“Goodwood started as a series of vignettes that I would write and send to him. Until suddenly,I had an idea for a first page,which became a second page,which became a first chapter.”

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When Throsby was creating the “small,humble” lives of her country towns,she was an inner-city Sydney dweller,where she has lived all her life. But her music had taken her to the country “for long periods of time”. There was a lot of regional touring. “I recorded the first couple of albums down on the South Coast of NSW,and then subsequent albums in the Southern Highlands and Kangaroo Valley.”

Four years ago,she and her partner Zoe bought a house on the NSW South Coast,where they live with their two daughters. She gave Deb,one of the characters inClarke,a large native garden.

“Her interest in gardening is very similar to mine and my partner Zoe is a landscape gardener,that is her job. It’s a shared passion. She does all the natives and my passion is permaculture-style gardening around edibles and their companions. One of the main things that is weirdly satisfying about it is how it’s eternally unfinished. Like you never get your garden to a point where you think,great,it’s done full stop. It’s ever evolving.”

The constant gardener has found a perfect balance with a literary life. “It really does lend itself to a kind of creative life because your creative work is also always thinking about the next project and how there’s more jobs to be done creatively. So,the two really work well together.”

Clarke is published by Allen&Unwin at $32.99.

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