John Breen’s play tackling a spectacular upset in the rugby world changed his life forever,and is now playing in Sydney.
Tacita Dean’s work is diverse and cerebral,caught up with moments of experience and the vagaries of recollection,both public and private.
Sumo wrestling has landed in Sydney,and there’s more to it than you might think.
The singer turned screenwriter says the story of How To Make Gravy had to make sense to both fans of the song and newcomers.
Our reviewers give their verdict on the latest offerings from Sydney Festival.
Memory and imagination are intertwined in director Andrew Haigh’s new film,starring Andrew Scott.
Two different exhibitions - from Jonathan Jones and Imants Tillers - prove worthy visits for art lovers.
A six-day festival in honour of classical giant Johann Sebastian Bach was a cornerstone of this year’s Sydney Festival.
In this latest round-up of Sydney festival performances our critics give their verdict on Masterclass;Tiddas;It’s a Sin;Orpheus and Eurydice;Anoushka Shankar;and Big Name,No Blankets.
A new play about the power of female friendship (disguised as a book club) opens this weekend as part of the Sydney Festival.
There’s no doubt that The Holdovers is a feel-good film,but it’s laced with enough wit and sarcasm to keep you in touch with the fact that nobody here is perfect.