What makes an iconic Eurovision outfit? ‘We wanted to fit the vibe of Eurovision but still keep it really high-end fashion.’
The creative director of Australian brand Common Hours is curating a customer willing to spend big.
The federal government has given the fashion industry a $1 million grant to develop a circularity scheme which could change our relationship with clothing forever.
In a world dominated by “logomania”,small-batch handbags by indie makers are a sleeper hit.
Tokenistic body positivity may be doing more harm than good as young women grapple with body dysmorphia amid mixed messaging through social media.
Ballet dancer Lilla Harvey describes her style as “sometimes moody-grungy,sometimes boyish,sometimes vintage grandma and mostly thrifted.”
“Edwina Forest[creative director of Aje] is still one of the most important women in my life.”
It’s been a big week in Australian fashion. Here are the top moments,as viewed from the front row of the Melbourne Fashion Festival.
Upcycling once meant trawling op-shops and whipping out the sequin gun to give garments a new look. Now,it’s taking centre stage on the catwalk and red carpet.
Anyone who owns a gown by Melbourne fashion label Charlotte Fifth Avenue,which mostly produced dresses in the ’50s and ’60s,has been asked to come forward.
Following the closure of Alice McCall,there are predictions of more casualties to come. What does it take to stay in the fashion business?