Decades after Babe,The Castle and Muriel’s Wedding became hits,the head of the country’s screen producers’ association has declared we should be making more funny films.
The Moogai offers a perspective on the Stolen Generations that has been sorely missing in mainstream Australian cinema.
This debut feature is ripped straight from the low-budget filmmaker handbook,but it’s heartfelt,well-acted and utterly relevant.
Australian writer-director Adam Elliot’s “claymation biographies” are definitely not for children,but they find hope among the gloom.
The Great White Whale tells the story of the little-known venture to climb Australia’s highest mountain on remote Heard Island.
The country’s top screen agency is supposed to help people make content. But some producers claim it is deliberately trying to force them out of business.
The Oscar-winning filmmaker’s Memoir of a Snail has landed 15 years after his last one. Such is the nature of stop-motion animation.
After Elvis,the Australian director is planning an epic about the famous French heroine and patron saint.
The search for a dog to play the title role in new film Runt,based on a bestselling children’s book,led to a foster home in Geelong.
Forget about political correctness,director Paul Goldman and the film’s writers have no desire to give us a revisionist version of the past.
The people behind the cinematic legend relive the colour and chaos behind the scenes – and how one casting misstep might have changed everything.