After decades of public feuds,Noel and Liam Gallagher are teasing a joint announcement.
The number of gigs at the stadium will increase permanently to 12 a year after most local residents were “very much in favour”.
Cash Savage and the Last Drinks are staging a gig aimed at sending all profits straight to musicians,but they’ll be doing more than making music.
Murray Engleheart’s account of the legendary Sydney band is full of passion.
Half a century on,the Australia Chamber Orchestra is flourishing.
Marco Fusinato strummed a guitar eight hours a day for 200 days straight as Australia’s representative at Venice – but didn’t play a single song.
“The distance between politics and art is never very large,” says Jessica Agoston Cleary,a patron of the MSO.
A new report estimates that by 2028,nearly a quarter of music creators’ revenues will be at risk due to generative AI.
A free,three-day festival at White Bay Power Station will be headlined by local boy Josh Pyke,who warned against assuming the government was “taking care of these things now”.
The MSO has announced an external review into its policies after removing acclaimed pianist Jayson Gillham from a concert and then claiming it acted in “error”,and a vote of no confidence from its musicians.
The Melbourne Symphony Orchestra said it made an “error” in cancelling the performance of a pianist who spoke out against the killing of journalists in Gaza.