A digital projection of a huge eel will weave its way along the facade of Hamer Hall,after the first unveiling was marred by a pandemic lockdown.
Dance lovers had plenty of reasons to kick up their heels,the music program was expansive – but theatre was patchy and the White Night side was a damp squib.
This dancing manifesto created by Melbourne-based choreographer Stephanie Lake is a call for more flash and more sizzle. And it’s thumping good fun.
The Invisible Opera at Federation Square will leave its audience wondering about the line between the bizarrely real,and the really bizarre.
Palaceer Lazaro,from New York art-rap duo Shabazz Palaces,has ditched the computer to bring a “very physical” show to the Rising festival.
A new work from Broome-based company Marrugeku was inspired by a conversation with deep-thinking Indigenous senator Patrick Dodson.
Tin&Ed,the artists whose work populates Rising festival hub The Wilds,use technology to give us a new perspective on the world.
A spectacular mark re-created in the form of AFL players suspended by ropes inspired conversations about AFL’s role in society.
Event organisers are dealing with both COVID chaos and a rise in lethargy as ticket sales remain “patchy” across the industry.
Balancing eight hours work,eight hours rest and eight hours play might be the ideal,but how many of us live it? This show explores an alternate reality.
When Nikki Shiels signed up as ‘alternative performer’ in The Picture of Dorian Gray,she found a role where millimetres divide success and failure.