In this MTC production Nikki Shiels plays a Blanche DuBois who isn’t mad – her Blanche is quite fun,witty,and as likely to self-deprecate as self-dramatise.
Daniel MacPherson and John Waters star in The Woman in Black – the second-longest running play in London,after Agatha Christie’s The Mousetrap.
Gurr Era Op,a beautifully composed dance theatre piece,is like a sea breeze:it blows strong and tastes fresh.
It’s worth seeing this show just to watch Justine Clarke transform into Gillard and,in a thrilling display,deliver the misogyny speech in full.
It was at first hard to tell if the 88-year’s voice had held up as the packed house sang along so enthusiastically – but he’s definitely still got the charm.
It’s the slob versus the neat freak in this Neil Simon classic,in a delightful comic pairing.
Share-housing in your thirties is so in right now,Jude Perl has created a musical about it.
One of opera’s most famous ‘mad scenes’ is on show in Melbourne Opera’s production of Lucia di Lammermoor.
Theatre’s most successful ghost story enjoys a life after death in this national tour starring John Waters and Daniel MacPherson.
Inhabiting someone as illustrious as US Supreme Court judge Ruth Bader Ginsburg is no mean feat,but Mitchell doesn’t just capture her likeness – she captures her spirit.
A controversial classic,and a smart contemporary response to it,takes the stage at La Mama in an excellent double bill.