Indigenous artist Archie Moore has taken a deep dive into his own story for his presentation at April’s prestigious Venice Biennale.
The work,painted in 1999,has been in storage ever since the Melbourne artist’s death. This month marks the first and potentially only time the public will be able to see it.
Giant metals hands,a mosaic of Japanese tiles,oversized stone animal footprints,and a large photographic piece depicting Aboriginal women will grace the new stations.
Over the next 10 days,artist David Shrigley invites Melburnians to bring a tennis ball to the gallery – in any state – and exchange it for a new one.
Janne Kearney raised a family and worked in a paint shop while dreaming of making art. Then she turned 43 and came to a decision. She hasn’t looked back.
The State Library of NSW is known for its books,but it has a remarkable collection of paintings as well.
The full-length portrait of Isabella of Bourbon,who in 1621 became Queen of Spain as wife of King Philip IV,was set to go on sale on February 1 in New York.
From a bottle for your tears to a work by “the witch of Kings Cross”,our galleries have dug through their collections to present their most unsung pieces.
As Melbourne’s population surges,a megacity exhibition at the National Gallery of Victoria’s Triennial raises questions about population growth,housing density and transport.
“I wasn’t trying to provoke Anna,” said acclaimed performance artist Parr. “What I was trying to do was provoke debate around the whole issue of this crisis.”
There’s landscape,and then there’s a Murray Fredericks landscape – and the story of how he got there is on display in a major retrospective.